Traces

The trace of the Other, which is also a trace of a negative, the carving of a loss, what is ultimately an optical illusion, a floric of the image, a coating, what is left of it. Within the enflaming of

Traces

The trace of the Other, which is also a trace of a negative, the carving of a loss, what is ultimately an optical illusion, a floric of the image, a coating, what is left of it. Within the enflaming of

AFTERLIFE

The piece Afterlife, which was an opportunity for Dionisis Christofilogiannis to redefine himself as an artist. The artwork utilizes a sculpture of the ancient Greek Kouros of Volomandras and “a primitive funeral ritual toward the end of life, using the

AFTERLIFE

The piece Afterlife, which was an opportunity for Dionisis Christofilogiannis to redefine himself as an artist. The artwork utilizes a sculpture of the ancient Greek Kouros of Volomandras and “a primitive funeral ritual toward the end of life, using the

Ephemeral

Ephemeral sculpture still life, 2015, oil on wood

Ephemeral

Ephemeral sculpture still life, 2015, oil on wood

Gold Xerography

Reichstag Defence, 2014, xerography and gold fillings on paper In full view of the military industrial complex, Dionisis Christofilogiannis’ meticulously detailed xero gold juxtaposes the Reichstag parliament building in Berlin with the profile of an army tank. Taking into account

Gold Xerography

Reichstag Defence, 2014, xerography and gold fillings on paper In full view of the military industrial complex, Dionisis Christofilogiannis’ meticulously detailed xero gold juxtaposes the Reichstag parliament building in Berlin with the profile of an army tank. Taking into account

lace installations

The column, 2015,  Plaster, crochet, acrylic on wood,  220x18x74cm Dionisis gives a second life to pieces of old wooden furniture collected from the streets of Athens and covers them with white embroidered crochet and white plaster, redefining their structure, function

lace installations

The column, 2015,  Plaster, crochet, acrylic on wood,  220x18x74cm Dionisis gives a second life to pieces of old wooden furniture collected from the streets of Athens and covers them with white embroidered crochet and white plaster, redefining their structure, function

Exercises on democracy

Works related with the conceptual platform of Nicos Charalambidis “the White House Biennial”

Exercises on democracy

Works related with the conceptual platform of Nicos Charalambidis “the White House Biennial”

Embroidery Identities

Embroidery Identities: (series, 2013, pencil on paper and plaster) The style of traditional embroidery designs in Greece was a reflection of geography and the individual’s economic status, descent, aspirations, and lifestyle. On these drawings embroidery motifs are combined with contemporary

Embroidery Identities

Embroidery Identities: (series, 2013, pencil on paper and plaster) The style of traditional embroidery designs in Greece was a reflection of geography and the individual’s economic status, descent, aspirations, and lifestyle. On these drawings embroidery motifs are combined with contemporary